For the honour of Grayskull! Time to review another cartoon that I have watched on Netflix. In spite of the unimpressive trailer, which has received much ire online, I recently decided to check out the thirteen episode She-Ra reboot. Although I wouldn’t consider myself a fan of the original show, I was curious to see how the series would turn out, due to its connection with Masters of the Universe. Back when I was a kid I dug watching the adventures of She-Ra’s brother He-Man, and I also owned several of the Mattel toys. He-Man was an awesome superhero who protected the fantasy world of Eternia. Just like Superman, I never understood how he managed to preserve his secret identity. When prince Adam transformed into He-Man the only things that would differentiate the two was a tan and fewer clothes.
She-Ra and the Princesses of Power follows the exploits of an orphan girl named Adora. The first episode establishes that she is a rookie soldier serving the Evil Horde empire. Adora is a model officer and has recently been promoted to the rank of force commander. Her allegiance to the Horde ends however when she witnesses first hand the atrocities they commit on Etheria’s peaceful populace. Who could have possibly predicted that the Evil Horde is evil? Adora defects to the Princess Alliance, a group made up of mostly female warriors who possess a range of elemental and magical powers. Not to be outdone Adora soon acquires a special ability of her own, courtesy of a magical sword she discovered in the nearby Whispering Woods. By lifting up the blade and yelling out her catchphrase, Adora is able to morph into the titular Valkyrie who is blessed with enhanced strength.
Most of the series follows Adora as she travels across the land with her new pals Glimmer (a teleporting royal) and Bow the archer. The trio are tasked with securing aid from neighbouring kingdoms, in the hopes they can all band together to repel the invading Horde. Instead of Sylvanas, this Horde’s leader is a scary chap named Hordak. He only makes fleeting appearances in season one though. Adora’s chief antagonists are characters from her past. The first of these is the person who raised her – a witch named Shadow Weaver. She-Ra’s other rival is childhood chum Catra, who feels hurt that Adora decided to abandon her in favour of joining the Princesses. Although too proud to admit it, Catra starts the series off wanting to bring Adora back to her side. Later however, when Catra’s achievements begin to gain recognition, the relationship sours. Catra begins to view Adora as someone who has always held her back.
My rating for She-Ra and the Princesses of Power is three stars. I went into the series with low expectations, but was pleasantly surprised by how entertaining it was. That said, I still prefer the reboots of Thundercats and He-Man over this Netflix production. I would say that those shows were more to my liking, as they had better action and were less goofy. On several occasions She-Ra’s dialogue and gags made me cringe (now I know what He-Man’s cat Cringer felt like). Although the individual storylines of each episode were nothing special, I dug Etheria’s lore. Hopefully next season will delve deeper into the sci-fi origins of She-Ra’s power. Rather than sorcery, it’s hinted that her sword is linked to an ancient race of interstellar travellers. Another thing I am looking forward to, from future episodes, is how the Adora/Catra dynamic develops. Can the pair patch things up or has the cat girl gone past the point of redemption? We will have to wait and see.
One thing that will put off many potential viewers, from giving She-Ra a chance, is the hideous artwork. It’s hard to believe that DreamWorks were behind the creation of this series. They used to produce films that were on Pixar’s level. I would blame the TV sized budget, for the lacklustre visuals, but the studio’s work on Voltron proves they are capable of much better. Another stylistic choice that won’t go down well with old school She-Ra fans are the character redesigns. Virtually all of the cast have had their race or skin colour altered. Depending on where you stand this may be a triumph for diversity or an example of SJWs trying to indoctrinate young kids via children’s programming. Apart from those changes, some characters have had their body sizes tweaked too. Glimmer has gone from being a super model, in the eighties series, to a plus size teen. I blame her powers for that. Maybe if she walked more, instead of teleporting everywhere, she would lose a few pounds.