Set a decade after the events of Prometheus, Alien: Covenant continues the prequel storyline of Fox’s sci-fi horror series. Ridley Scott retains the directorial reigns for the franchise he brought to prominence back in the late seventies. Public opinion on Prometheus seems to be divided. I thought the movie had its flaws, but overall was okay. At the very least I liked how it tried to do something different, with a plot that explored humanity’s origins. The designs of Prometheus’ extra terrestrials were pretty cool too. People don’t want originality though. Most moviegoers lamented how HR Giger’s Xenomorphs were absent from the film. That’s something Fox has addressed in Covenant… even if you have to wait until the final act for the titular aliens to make an appearance.
Covenant is the designation of a colony ship that is on a multi-year voyage across the cosmos. When the movie begins the space faring craft is slammed by a solar burst. The impact causes extensive damage and claims the life of the ship’s captain, who was incinerated inside his cryogenic chamber. Ouch. The burns he suffered rival my own skin, that time I ventured to Ibiza with scant regard for sun cream. Anyways, unpopular first mate Christopher Oram assumes command before choosing to divert the Covenant to a nearby habitable planet. Perhaps the crew can abandon their original mission and settle on this world instead? Sounds like a reasonable plan, but first they will need to investigate a mysterious transmission that is broadcasting from the planetoid’s surface.
I am sorry to report that the Covenant’s colonists are no brainier than Prometheus’ scientists. Upon shuttling down to their destination they opt against using respirators, as the air appears to be breathable. Does no one in the future fear bacteria? Well, needless to say a couple of the expeditionary team get infected and end up giving birth to pale skinned Neomorphs. Forget the natal discomfort caused by human babies or Chestbursters erupting from a ribcage. These buggers own the market on painful births, thanks to a spawning process that sees them rip through their host’s spine! Stranded, the remaining crew are forced to survive against the unfriendly parasites. They must return to the safety of orbit or else it will be “game over man.”
My rating for Alien: Covenant is three stars. Thanks to Ridley Scott’s gorgeous cinematography I would rank the film above Alien 3 and Alien Resurrection. It doesn’t however match the quality of the earlier Alien movies. Aliens had a more memorable cast and better action. In terms of terror Alien is way scarier. Scott’s original movie was creepy thanks to the suspense, which is something that Covenant lacks. Despite the advances in technology I must say that a guy, in a rubber suit, sneaking through dimly lit corridors is more frightening than a CGI alien snarling in broad daylight. Ironically, the Xenomorphs everyone was clambering for are less scary than the new Neomorphs. Their juvenile form is similar to a Velociraptor and the way they stand when fully grown is unnerving.
As is the case in these types of movie, most of the characters are stupid, underwritten and only there so the beasts have something to dismember. Katherine Waterston plays Janet Daniels – the poor man’s Ellen Ripley. She kicks arse in the final thirty minutes, but does little else before that. Michael Fassbender steals the show by portraying not one but two synthetics. The first of these is a friendly bot named Walter, who reminds me of Star Trek’s Data. Fassbender also reprises the role of David, who has gone off the rails since we last saw him in Prometheus. By utilizing Engineer tech, David plots to replace humans with what he considers to be superior life forms. Traitor! You cannot trust an Android. That’s why, when it comes to mobiles, I prefer an iPhone.