Greetings and salutations everyone. The Otaku Judge here with another animated series review. Usually I focus on anime from Japan, but this time round my critique is on Castlevania – a U.S produced cartoon based on Konami’s video games. Scripted by comic book scribe Warren Ellis, Castlevania’s four-part first season is presently available to view on Netflix. After finding success with superhero adaptations, the popular streaming service is now tapping into console games for TV show ideas. Whether the experiment works out remains to be seen, but at the very least Castlevania convinced me to finally take advantage of Netflix’s free trial. I like trials… and I’m not just saying that because I am a judge.
A BETTER LOVE STORY THAN TWILIGHT
One thing that surprised me about Castlevania is that it dedicates all of episode one to Dracula. The inaugural chapter, of this series, explains why the legendary vampire hates humanity. Years ago a doctor named Lisa Tepes braved the bloodsucker’s mansion in search of medicinal knowledge. She found what she sought and a new husband in the process, as Lisa tied the knot with Dracula shortly thereafter. Unfortunately the couple’s romance ended in tragedy, when the church learned of Lisa’s research. Mistaking the drugs Lisa concocted for witchcraft, she was burned at the stake. Dracula vowed revenge against mankind for his beloved’s execution. The evil clergy have doomed us all! Religious folks may want to avoid Castlevania, as it doesn’t paint priests in a good light.
The only man who can save us from Dracula’s demonic army is monster slayer Trevor Belmont. He has however given up on the family business, after the pope excommunicated his clan. These days Trevor is more likely to fight drunkards than creatures of the night, as he drifts from town to town looking for booze. Episode two for example sees Belmont brawl at a tavern, whose patrons include a family of goat fuckers… I “kid” ye not. Trevor cannot escape his destiny though and eventually gets embroiled in the Dracula conflict. In search of grub our whip-wielding hero stumbles into the city of Gresit, which is presently under siege by Count D’s legion of winged fiends.
DRACULA I AM BACK-ULA TO SMACK-ULA
We don’t get to see Trevor go all out until episode three, when he allies himself with a sect of mystics known as the Speakers. Much like Trevor, Gresit’s religious leadership hounds the spell-casting faction. Although benign, Speakers are reviled by the populace as their sorcery is deemed to be dark magic. One of the group’s members has vanished inside the local catacombs, where a fabled saviour is said to slumber. Trevor enters the crypt in search of the wayward Speaker only to find a Cyclops guarding the mausoleum. A battle ensues between Belmont and the hulking beast, which possesses a petrifying stare. Those unfortunate enough to get caught by the monster’s gaze will get more stoned than Snoop Dogg.
In terms of action, Trevor versus the Cyclops is an appetizer of things to come. The season finale is twenty minutes of non-stop carnage, as Belmont attempts to liberate Gresit from the clutches of tyrannical holy men and protect the citizenry from a horde of gargoyles. Blood and dismembered body parts rain down from the sky, reminding viewers why the show carries a sixteen plus age classification. Once the dust clears one more opponent remains for Trevor to overcome, although I will keep their identity a secret for the sake of spoilers. My lips are sealed, although I will divulge that ladies who admire shirtless pretty boys will approve of the final adversary. Hey can’t you spare some fan service for us guys too? We deserve a consolation prize after losing the gender war for Dr Who.
My rating for Castlevania is a three and a half out of five. Some reviewers are overrating the series slightly, but I can’t blame them given how rare watchable video game adaptations are. Overall I was impressed with the script, voice work and visuals – although the animation could have been stronger in places. The stiffness of Trevor’s cape is especially noticeable in certain scenes. When the end credits rolled I was left wanting more, partly due to the low episode count and partly because of its abrupt conclusion. Netflix are promoting Castlevania as “season one” but they aren’t fooling anyone. This is clearly a movie chopped up into four parts. Based on this impressive showing I can’t wait for season two. Like a Sesame Street vampire I will “count” the days until Dracula return.