Soul Eater NOT! Review


What an aptly titled anime. This series is just like the original Soul Eater… Not! That’s what Soul Eater fans would exclaim because, aside from the supernatural school setting, this series feels like a radically different show. Or so I am told, as I have yet to watch Soul Eater – mostly because I have an aversion to Shonen properties that run for over fifty episodes. We can blame Bleach’s limitless amount of filler for that. The way Bleach dragged things out made me want to down several litres of the aforementioned chemical disinfectant. Studios should refrain from animating episodes until the source material has sufficient chapters to adapt. I do however reserve the right to whine endlessly in the interim. It’s been three years already Studio Wit, give us more Attack on Titan already!


Soul Eater NOT takes place at the Death Weapon Meister Academy, which teaches pupils how to battle against witches (because Dorothy’s escapades have taught us that soluble magic users are bad news.) The DWMA’s students are categorized as Weapons (who are humans that can transform into um weapons) and Meisters who brandish said shape shifters in combat. NOT’s protagonist is a young lady named Tsugumi Harudori who has enrolled at the academy after recently discovering that her legs have a nasty habit of involuntarily morphing into halberds. Tsugumi wishes to learn how to control her powers, although her first term is plagued with doubts. Not only does Tsugumi miss her old tranquil lifestyle, but she also feels inferior to her more talented classmates.

Despite her lack of confidence Tsugumi is in great demand with two Meisters, named Meme Tatane and Anya Hepburn, vying for the right to become her official partner. Anya is a shopaholic princess who is weary about being pampered by servants and therefore decides to move abroad where she can mingle with commoners. Meme is a capable fighter who we learn in episode one can literally kick your ass in her sleep. The contest for Tsugumi at times resembles a lesbian love triangle, although the show’s fifteen-age rating denies us any steamy moments. Yuri fans looking for smut will have to make do with a dream sequence featuring a near kiss between a flamethrower Weapon and the pink haired bully that she has the “hots” for (no pun intended.)


My rating for Soul Eater NOT is three stars. It’s a well-produced “cute girls doing cute things” series from Studio Bones, which reminds me a little of Scientific Railgun as it’s based in an institution populated with superhuman kids. The banter between the show’s leading ladies is the thing I enjoyed the most. Anya likes fraternizing with regular folk, but her tsundere instincts compel her to act like a haughty royal. Meme’s absentmindedness made me chuckle on occasion, as she will routinely forget what she did five minutes ago or even her own name! I’m glad an explanation is eventually offered for her memory deficiencies, because for a spell I was worried that she may be suffering from advanced Alzheimer’s.

I am uncertain how NOT will be received by fans of the original Soul Eater, as stylistically they are two very different shows. Soul Eater fanatics may enjoy the cameos that offer insight into the origins of Sid, Kim, Patty and Liz, but the lack of action may not sit well with them. NOT is first and foremost cute and fluffy entertainment. If I didn’t know better I would guess that writer Atsushi Okubo wanted to make a K-On clone, but had to affix the profitable Soul Eater label on the cover to appease his editor. Those insecure in their masculinity need not worry though, because this prequel’s dozen episodes aren’t all girly. The finale for example has the heroines tackling a witch who uses venom to brainwash victims. High schoolers afflicted with the poison become aggressive and function on little to no sleep… they are just like any other teenager then!

Review of Planetarian


Have reviews ever discouraged you from watching an anime or playing a video game? They have for me and not necessarily because their assessment of the product was negative. Many moons ago I was perusing Steam for a new visual novel to read when I came across a kinetic book titled Planetarian: The Reverie of a Little Planet. The buyer comments section was brimming with thumbs up, but I gave the game a pass as many remarks mentioned that the narrative was laced with feels. No thanks, I thought, why subject myself to depression? Jump ahead two years and news reaches me that Planetarian has been adapted into an anime. Oh what the heck, let’s give it a watch. My tear ducts could use some exercise and thanks to Funimation’s dub I needn’t worry about waterworks in my eyes blurring out the text.


Planetarian: Chiisana Hoshi no Yume is set in the not too distant future, were Earth is reeling from the effects of atomic war, over population and a lack of natural resources. See! I knew electing Hilary Clinton/Donald Trump (amend after November eighth’s polls) to the Oval Office would end in disaster! The story begins with a junker named Kuzuya infiltrating the confines of Sarcophagus City in search of technology, booze and weapons that he can salvage for cash. After a run in with some hostile sentry bots, Kuzuya is forced to flee into a dilapidated department store where he encounters a blue haired female android named Hoshino Yumemi. The adorable automaton incessantly pesters Kuzuya to visit the building’s rooftop planetarium, which three decades ago she was programmed to maintain.

Apart from a few minor characters, Planetarian has a modest cast of two people. Kuzuya is presented as a gruff survivalist who somehow can subsist on a daily diet of just one biscuit. Initially he finds Yumemi’s babbling to be a pain, but an overnight stay at the planetarium makes him warm up to her. In recompense for sheltering him, Kuzuya even agrees to repair the establishment’s busted projector. Yumemi is delighted by the starlight projector’s restoration, as her sole purpose in life is to teach humans about the cosmos. The fact that Sarcophagus City is now rubble and that no customers have visited her in thirty years hasn’t wavered Yumemi’s passion for astronomy lessons. Yumemi’s brain is a fountain of knowledge, although her mechanical body is weak. Any strenuous activity causes her to trip and overheat… in a way she’s like a walking Xbox 360!


My rating for Planetarian: Chiisana Hoshi no Yume is, no pun intended, four and a half “stars.” It’s a nice story that manages to concisely tell its tale in just five parts. The creators resisted padding out the short visual novel into a cour long show and in most cases the episodes don’t even reach the twenty-minute mark. Aside from the likable characters I was impressed with Planetarian’s artwork. David Production has put a lot of effort into the visuals, for what is an original net animation. When compared to a clunky looking web series like RWBY, Planetarian is leaps ahead in terms of aesthetics (time to activate the flame shield because angry Rooster Teeth commenters are incoming.) The finale that pits Kuzuya against an autonomous tank stood out in particular. Said scene wouldn’t have looked out of place in something like Ghost in the Shell.

One complaint that could be levied at Planetarian is that the script is emotionally manipulative. Viewers should however go into the show expecting this, as the series is based on a ten-year-old Key visual novel. Since the late nineties that company has been breaking our hearts with bittersweet tragedies featuring big eyed cute waifus. These are the guys after all who worked on tearjerkers such as Clannad and Angel Beats. Planetarian doesn’t deviate from the established Key formula, which may be a plus or a minus depending on your tastes. If you enjoyed Planetarian be aware that a similar visual novel named Harmonia was released on Steam a month ago. Will I be buying it? After reading the reviews, probably not. My sensitive feelings can only withstand so many “onion cutting simulators” per year.

Sweetness and Lightning Review


This meat is so rare that I threw a Master Ball at it! That’s what Gordon Ramsay would yell at me, should our paths ever cross, as I am useless in the kitchen. When it comes to cooking I can add milk to a bowl of cereal for breakfast, place some ham between two slices of bread for lunch and nuke a Ready Meal in the microwave for dinner. Anything else is outside of my wheelhouse. The same can be said of high school teacher Kohei Inuzuka who, between not being a big eater and working a busy schedule, left meal preparation in the hands of his beloved wife. Unfortunately for the bespectacled math professor his missus passed away six months ago. After subjecting his daughter to yucky convenience store grub for half a year, the time has come for Kohei to master the art of cookery.


Sweetness and Lightning is a twelve episode anime series, which can presently be watched on Crunchyroll (how ironic that a site named after crisp bread should happen to stream a food centric cartoon.) Based on the manga created by Gido Amagakure, this slice of life show chronicles Kohei’s gastronomical adventures, as he does his best to learn various recipes over at a restaurant owned by a student’s family. Each episode typically begins at Kohei’s school or the kindergarten his daughter Tsumugi attends, before concluding with a culinary segment at the eatery belonging to Kotori Iida’s mom. Over the anime’s dozen episodes we see how bitter peppers can be transformed into a tasty dish, what goes into making crepes and serving suggestions for fresh fish. If you are planning to go on a diet watching Sweetness and Lightning may be a bad idea. Just typing out this synopsis is causing me to drool all over the keyboard!

Like many male protagonists Kohei is a bit on the plain side, but his personality deficiencies are easy to forgive when you see what a loving parent he is. Unlike her pop, magical girl fan Tsumugi is brimming with character. Everything about Tsumugi screams cute – from the squeaky noise her footsteps make to the adorable chants she sings. Watching her lovable antics makes me want to have children… although those feelings soon subside as my sister’s noisy spawn remind me why I don’t get on with kids! Completing the Sweetness and Lightning cast trinity is Kotori Iida, who is the teenage offspring of a celebrity chef. Using her mother’s notes, Kotori guides Kohei on how to prepare each episode’s dinner. Despite her parentage Kotori isn’t very hands on during the gourmet scenes because a childhood accident has left her with a serious phobia of knives.


My rating for Sweetness and Lighting is four Michelin stars. The anime delivers a three-course menu of heart warming family moments as a starter, a main course of informative cooking sequences and for dessert a single parent plot that fans of Usagi Drop should appreciate. After consuming the series my appetite for anime entertainment is well and truly satisfied. I was however a bit disappointed that Kohei and Kotori’s relationship didn’t develop into something more. Pupils fraternizing with educators may be taboo, but in this instance the age gap isn’t so vast that it would be creepy. Some romance would have been sweet, as the fortnightly restaurant trips have enriched the lives of the Inuzukas whilst lonely Kotori has benefited from companionship, which is nice given that she has few friends and her mother is often absent due to job commitments.

One thing that I found surprising about Sweetness and Lightning was how enjoyable the gastronomic scenes were. As a novice chef it was rather educational seeing first hand how to best peel an onion or the techniques one should employ when filleting a fish. Learning more about Japanese cuisine was also a welcome and tasty bonus. If nothing else, Sweetness and Lightning has made me hunger for more cooking shows. Much to my surprise there appears to be a multitude of anime out there marketed at foodies. Hmmm, which one should I check out next? Many bloggers that I respect have recommend Food Wars and who am I to argue? Those infamous clips of girls driven to ecstasy by calamari and succulent slabs of meat are certainly stimulating!

Review of Orange


What would you do if Bermuda had an undersea post box that allowed senders to mail letters back to their past selves? I for one would warn the younger Otaku Judge not to waste forty quid on Duke Nukem Forever! Naho Takamiya, the protagonist of Orange, is however much less selfish. Using the powers of reverse chronological postage, she dispatches a message to a decade ago hoping that it will undo her life’s biggest regret. The plan is that her high school self will read the note and use its contents, which details future events, to avert the death of a close friend.


Based on the manga created by Ichigo Takano, Orange is a thirteen-episode anime, which is presently available to stream on Crunchyroll (should you be fortunate enough to live in a nation that they cater to.) The series begins with Naho receiving a letter, which seemingly foretells what is set to transpire in the upcoming days. Despite initially doubting the envelope’s claims, she is forced to accept its authenticity after several of the note’s predictions prove to be correct. Sadly the older Naho didn’t jot down winning lottery numbers to aid her past self with some extra scratch. The letter does however help teenage Naho win a softball game and encourages her to form a relationship with Tokyoite transfer student Kakeru Naruse.

Unfortunately it isn’t always easy to follow good advice, even when you know that the wise words come from someone who has ten years of hindsight. Shyness dissuades Naho from getting too close to Kakeru, which she soon laments after a fellow student asks him out on a date. Missing out on a potential boyfriend, who has a dreamy smile and is great at soccer, is the least of Naho’s concerns though. If what the letter says is true Kakeru is fated to die in a tragic accident. There’s only so much one girl can do, so to prevent disaster from striking Naho will have to rely on the aid of her closest confidants Suwa, Takako, Azusa and Hagita.

Hiroto Suwa is the kind-hearted jock that is willing to sacrifice his feelings for Naho in order to save Kakeru. He’s a true bro. From the aforementioned group Takako Chino gets the least screen time, but her Amazonian presence does at least come in handy for protecting Naho from bullies. Spunky Azusa Murasaka and bespectacled manga reader Saku Hagita provide the show’s comic relief by constantly bickering with each other. One of the funniest scenes has Hagita trying to emulate Suwa’s muscular torso by drawing fake abs on his gut. Why waste time at the gym when you can get identical results with a permanent marker?


My rating for Orange is a four out of five. It’s a great tasting citrus fruit packed with nutritious vitamin C. Um, I mean it’s a heart-warming anime that combines slice of life moments with cute romance. Even if the time travel elements were to be removed from the script, I would have still been entertained watching the cast hang out in class and competing at their school’s sport festival. The love story between Naho and Kakeru is sweet, although it did test my patience at times. Let’s just say that when it comes to matters of the heart Naho’s naivety rivals Sawako from Kimi ni Todoke.

Part of the reason for my high rating is that Orange reminds me of other stellar anime. A teenager using knowledge from the future to change things for better is reminiscent of The Girl Who Leapt Through Time. I also got an Anohana: The Flower We Saw That Day vibe from the series, as the story deals with a group of friends coming together to make peace with the loss of a childhood chum. I was also impressed by how the narrative highlighted the dangers of depression. Behind Kakeru’s forced smile is an individual struggling to cope with family grief. Orange shows its audience what a big impact having supportive friends can be for persons suffering with such issues. Never turn a blind eye to a buddy in need, or years from now you could be tormented by regret… just like me when I squandered money on that god-awful Gearbox console game.

Akame ga Kill (Collection Two) Review


Brexit, countless celebrity deaths and No Man’s Sky failing to live up to the hype – by all accounts 2016 has been a rather depressing year. In case those aforementioned news stories haven’t soured your mood enough, worry not because Animatsu Entertainment has just released collection two of Akame ga Kill in the UK. Get ready to put the Samaritans on speed-dial, because this three-disc DVD set is saturated with despair inducing moments. Much like the first collection, which came out half a year ago, this anime adaptation of Takahiro’s manga isn’t shy about killing off its cast of likable characters. Why must you subject us to such cruelty Takahiro? The answer to that question is a mystery, just like why the show is named after a heroine who barely gets any screen time.


Collection two begins with Night Raid’s assassins and The Jaegers temporarily ceasing their hostilities to combat a common threat – namely murderous mutants who are running amok, after their creator met his untimely demise back in episode eleven. During the Death Beast purge Tatsumi and General Esdeath cross paths, before ending up on an uninhabited island courtesy of a third party’s portable teleporter. The unplanned trip gives the unlikely couple some quality alone time, much to Tatsumi’s discomfort. It’s always a laugh watching the sadistic ice queen lust after Tatsumi, even if the script never adequately explains why she is so attracted to him. I guess Tatsumi, like all male anime protagonists, oozes harem magnetism.

After the romantic getaway concludes Night Raid launches an assault on the capital. Standing between them and the nation’s corrupt leaders are the superhuman Jaegers. The stakes are high because, as previously established, when two Imperial Arm users meet one is certain to perish. Several scores are settled in the ensuing duels. Hoping to avenge the death of Sheele, sharpshooter Mine takes on cyborg (anti-social) justice warrior Seryu Ubiquitous and her canine companion Koro. Akame also gets the opportunity to confront her equally gluttonous sis Kurome, who we learn resents her sibling for joining the rebel forces. In a battle between the wielder of a poisonous blade and a warrior, who possesses a sword imbued with necromancy magic, who shall emerge victorious?


My rating for Akame ga Kill (Collection Two) is three stars. Just like the previous instalment, the highlight of the show has to be its action set pieces. Blood soaked Shonen goodness that isn’t padded out with superfluous filler or fifteen minutes of power-up yelling (forget Senzu Beans, give me a lozenge because my throat hurts from all that shouting.) I especially appreciated how cunning/skill determines the victor of confrontations and the importance given to the outcome of each brawl. Unlike Dragon Ball, fatalities matter because there are no golden spheres around to resurrect the slain. If your favourite character is decapitated deal with it, because they aren’t coming back. Shame then that Akame ga Kill’s body count is so ridiculously high.

The excessive carnage made the final stretch a real chore to watch. Eight successive episodes have characters meeting their maker, which cheapened the impact of each death. After a while the writer’s attempts to fish for audience sympathy becomes painfully transparent. Whenever a hero has a sentimental moment they may as well don a red Starfleet uniform, because the Grim Reaper is coming! Years from now people will remember Akame ga Kill’s anime original ending for its repetitive mortality cycle, which is a pity as the show trumps other adaptations by finishing on a conclusive note. With the source material just a few chapters away from wrapping up, it will be interesting to see how Takahiro’s manga will compare to Makoto Uezu’s screenplay. Perhaps the comic will surprise us all with a happily ever after? We exited the EU, David Bowie left us and Sean Murray lied. Please manga, don’t add to 2016’s gloomy legacy.

Samurai Flamenco (Box 1) Review


Samurai Flamenco is a superhero show, which is rather ironic because much like a costumed vigilante the series could be accused of having dual identities. Comic book fans have often speculated whether the real Bruce Wayne is a billionaire playboy or the solemn protector of Gotham. After watching the first half of Samurai Flamenco I have a similar question. Is this Manglobe series an animated clone of Kick-Ass or a zany Power Rangers parody? The opening seven episodes suggest the former, but after an unexpected twist the latter is probably more accurate. Subverting audience expectations can be a risky game. Puella Magi Madoka Magica hooked in viewers by pretending to be a cute magical girl show before morphing into something deeper. In the case of Samurai Flamenco however I am uncertain how well the switcheroo in tone will be received.


Masayoshi Hazama is an up and coming male model, who grew up idolizing all things Super Sentai. Back when he was a kid Masayoshi dreamt of becoming a superhero, until someone explained to him that masked crime fighting is a completely fictional profession. To pay the bills Masayoshi settles for a job posing in fashion magazines, but his aspirations of protecting the innocent still remain. After dark Hazama transforms into Samurai Flamenco and battles the evil forces of drunken jaywalkers and loitering teens. Unfortunately for the fledgling hero people don’t appreciate being lectured at by a pink costumed goofball, often resulting in Masayoshi getting walloped. It falls upon police officer Hidenori Goto to rescue Masayoshi whenever things get too dangerous. Goto’s pleas that Masayoshi leave law enforcement to the cops fall on deaf ears.

Despite a rough start things take a turn for the better after Samurai Flamenco apprehends a brolly thief, turning him into an overnight Internet celebrity. With fame comes the support of an action star and a stationary manufacturer, who each bestows Masayoshi with self-defence training and non-lethal weapons respectively. Masayoshi’s exploits even inspire a copycat “Flamenco Girl” to take to the streets and aid him in smacking hoodlums. Their goals are the same, even if their personalities aren’t. Masayoshi is motivated by justice and is useless in combat. Flamenco Girl just seeks an excuse to kick ass, which she is proficient at (her favourite move involves stomping on a fallen foe’s crotch… ouch!) The duo manages to reduce the city’s crime rate, but how long will the peace last? From the shadows a deranged villain named King Torture prepares to strike.


My rating for Samurai Flamenco (Box One) is three and a half stars. I have always been fond of superhero comics and films, so it should come as no surprise that I enjoyed this anime. Even when episode seven rolled by I was still on board with the show, although I suspect the shift from realistic street level crime-fighting to battles with super powered enemies will be too jarring for some viewers. I am however concerned by what the future has in store for the series following on from the final battle with King Torture. Episode eleven introduces a new nemesis for Samurai Flamenco to tangle with and ratchets up the absurdity to levels I am not comfortable with. I’m okay with characters wielding oversized staplers, but I have to draw a line when a giant who has a perfume dispenser for a head shows up!

It’s a shame that this collection ends on such a whacky note, because I much preferred the more tranquil moments found in the earlier episodes. The bromance between Masayoshi and Goto starts the show on a high note and things only improve when Flamenco Girl appears. Her sadistic temperament and lust for guys in uniform elicited numerous chuckles from me. Aside from the DVD set’s zany finale my only other complaint would have to be with the artwork. Samurai Flamenco isn’t a bad looking show, but there are times when the visuals and animation could be better. Perhaps this is a sign that back in 2013 Manglobe studios was already feeling the financial pinch that would ultimately spell their demise? Either way, I am sufficiently attached to the characters that I will check out the second instalment once it hits UK stores. At the very least I am morbidly curious to see how much more insane things can get.

Log Horizon (Season Two) Part One Review


Just like a lapsed World of Warcraft player, who only plays Blizzard’s MMO when an annual expansion comes out, I have returned to Log Horizon after a yearlong hiatus. Based on Mamare Touno’s novels, Log Horizon is yet another anime following the exploits of players who are trapped within the confines of an online RPG. Unlike Sword Art Online, were Kirito inexplicably wishes to flee a game were every female lusts after him, the player base of Elder Tales has accepted their new fantasy way of life. Season one chronicled how protagonist Shiore “the villain in Glasses” opened up diplomatic relations with the world’s NPC populace (called People of the Land) and how he secured control of Akihabara City… because even when dealing with magic and goblins it is good to live in a place where stores peddling Otaku products are plentiful.


Despite purchasing the Akiba Bank, in the last series, it has become apparent to Shiroe that his guild and allies are ill equipped to afford the expenditure associated with running a city. Christmas is fast approaching so funds are desperately needed to buy gifts and settle any outstanding bills. To alleviate Akiba’s financial woes, the bespectacled enchanter sets off on a pilgrimage for monies. His destination is the ominously named Abyssal Shaft, which houses an infinite supply of gold. Protecting said treasure are numerous traps and high-level creatures, which will require a raid group to clear. With this in mind Shiroe recruits the services of Silver Sword’s warriors and an ill-tempered monk named Demiquas. Viewers who recall the events of season one will remember that Shiroe and Demiquas aren’t the best of pals, so it will be interesting to see if they can bury the hatchet long enough to best the dungeon’s many challenges.

Back in Akihabara, the diminutive ninja known as Akatsuki is feeling glum because her beloved Shiroe has skipped town to go on the abovementioned spelunking fundraiser. In his absence she begins to suffer from low confidence. Unfortunately for Akatsuki her morale gets even worse when she suffers defeat at the hands of a serial killer who is presently targeting Akiba’s citizenry. The identity of the murderer is quite a mystery, as Elder Tales’ rules forbid combat within a settlement’s walls. Normally when a malefactor runs amok inside a safe zone they get dispatched by the town guard, but for some reason the authorities are turning a blind eye to this assassin’s activities. Are the police scoffing doughnuts rather than patrolling the streets or is there another explanation? Either way, if Akatsuki intends to restore order she will have to learn some new fighting skills and for the first time in her life accept the aid of others.


My rating for Log Horizon (Season Two) Part One is four stars. Prior to watching this collection I was worried that the show’s quality would dip, as Satelight are no longer animating the series. Thankfully, based on these thirteen episodes, I am pleased to report that this second chapter in the Log Horizon saga mirrors its predecessor when it comes to entertainment value. In terms of visuals I recall the original series having higher production values, but I can’t say that the less polished aesthetics affected my enjoyment of the anime. After a few episodes I adjusted to Studio Deen’s artwork and became absorbed in the storylines/characters. It’s good stuff, although perhaps a bit too wordy. There’s plenty of humour and debates about inter-kingdom politics, but when it comes to battles the action is mostly limited to Shiroe using his smarts to determine how best to conquer the giant guardians standing in his party’s way.

I liked that the script delved more deeply into the memory loss penalty slain heroes have to pay. The mechanic is explored during a sequence were Shiroe and Akatsuki converse in limbo whilst awaiting resurrection. The scenes reveal how emotionally fragile both characters are, even if they appear to be unflappable adventurers in Elder Tales. It’s something many MMO junkies can relate to. Success in those games demands questing for hundreds of hours in front of a PC. No surprise then that elite players often comprise of people who use digital worlds to escape real life troubles and social interactions. William (the guild master of Silver Sword) alludes to as much when rallying his comrades for battle. In real life, he exclaims, people may call his guildies losers but in Elder Tales they are legends. I hope Chris Patton got a bonus for dubbing that particular speech, because it ran for twenty minutes! See, I told you Log Horizon is a bit wordy.