Review of Dragon Pilot

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Back when I was a kid, I grew up watching several cartoons that featured transformable planes. In a way, Dragon Pilot is similar to those classic shows from yesteryear. The key difference is that instead of robots in disguise we get giant lizards, which morph into fighter jets. Dragon Pilot: Hisone and Masotan is a twelve-episode anime created by studio Bones. At the time of writing it is available to stream exclusively on Netflix. I haven’t seen many bloggers write about this series. That’s a shame because the anime is rather good. Perhaps some viewers were put off by the art style Bones went with? Beauty is in the eye of the beholder though. I rather like the retro/moe aesthetics. The dragons are cute and their human pilots somewhat resemble Mako from Kill la Kill.

OVERVIEW

Hisone Amakasu is a girl who has no goals in life. When deciding on what career path to follow she elected to join the Air Force. The reason? She spotted a plane zooming across the sky, from her classroom window, whilst in the middle of filling out a job survey. When the series begins Hisone is stationed at the Gifu Air Base, where she works in an office. One day she is asked to deliver some paperwork to a nearby hanger, by her commanding officer. There she encounters the titular Masotan, who happens to be a giant dragon. It turns out that dragons are real and their existence has been made secret by the government. To keep dragons out of the public eye they are outfitted with armor, which Hisone likens to cosplay, that is capable of morphing the flying lizards into aircraft.

During this chance meeting it is decided that Hisone should become Masotan’s pilot. Unlike other potential candidates, that Masotan has rejected, he deems the girl worthy enough to gobble up! Don’t worry folks. Aside from being terrified by the sudden ingestion, Hisone is not harmed. Dragon Pilots command their partners from the comfort of the creature’s belly. Once a mission is complete they release the pilot via barfing. Apart from being slimy, dragon gastric juices are capable of dissolving conventional clothing. Hisone is therefore given a protective skintight suit. Getting chosen by a dragon is a rare honor, so Hisone should feel chuffed. It is however later discovered that Masotan only devoured her because of the old school flip phone she carried. Antiquated mobiles are apparently a dragon’s favorite snack.

VERDICT

My rating for Dragon Pilot is three and a half stars. It’s a sweet show that should appeal to viewers who enjoy cute slice of life anime. There isn’t much in the way of story. A good chunk of the series simply chronicles how Hisone bonds with Masotan, her flight training sessions and the cadet’s interactions with other pilots. Her peers include a geek named Lilikos and Mayumi, a chubby gal who likes to spoil her dragon with grub. One problem that Hisone suffers from is that she is a compulsive chatterbox. She cannot control the urge to blurt out what’s on her mind, which sometimes causes unintended offense. Her big mouth plays a factor in angering roommate Nao Kaizaki, who retaliates by bullying Hisone in the early episodes. Hisone also has a strained relationship with a no nonsense pilot named Elle Hoshino. The two clash over how Elle treats her dragon like a tool rather than a partner.

The only reason I am not giving Dragon Pilot a higher score is because of the final three episodes. Although the series ends on a satisfactory, albeit slightly rushed, note I much preferred the earlier content. Like is the case with other animated comedies I have seen, screenwriter Mari Okada felt the need to inject some forced drama into the show’s finale. I personally didn’t care for the change in tone. Much of the humor vanished during the last arc, which sees the girls participate in an escort mission that will determine the fate of the nation. Hisone’s lighthearted romance with mechanic Haruto Okonogi also developed into a love triangle. Upping the ante even further is a last gasp revelation, which revolves around human sacrifice. Dang, that escalated quickly. I would have never vore-seen that the anime, about dragons who swallow live girls, would take such a serious turn.

Review of Looper

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My job sucks. Long hours, tedious work and low pay. I cannot wait for the year 2044 to roll by. When that magical date arrives I can quit my dull office life and become a Looper. These mob assassins have it pretty easy. All you have to do is turn up at a location, wait for a tied up person to materialize and blast them with a Blunderbuss. One second of work and in exchange you get paid loads of silver bars. Who are the victims that appear from thin air you may be wondering? They are folks from the year 2074, who have crossed the mob. In the future time travel exists and the gangsters of that era have decided to dispose of bodies by teleporting their prisoners to the past. Sounds like a needlessly complicated way of destroying evidence. Why hire hitmen when you could just teleport people into an ancient volcano instead?

OVERVIEW

Joe is a Looper who is saving up for retirement. The floor safe, in his apartment, houses a pension’s worth of stockpiled silver that he plans to spend in his later years. Joe’s dream, for when he leaves the Looper business, is to move to China. There he can find a nice Asian waifu and indulge in all the drugs he desires. His narcotic of choice is an addictive eye drop. Gross! I hate applying eye drops. When it comes to illegal substances I’ll stick to snorting powder and injecting myself, thank you very much. Anyways, enough about my hobbies. Let’s get back to discussing the movie. Early in the film, Joe finds himself in a pickle when the target he has been hired to kill manages to escape his clutches. The mob is unlikely to forgive this blunder so, in order to avoid punishment, he’ll have to make amends by tracking down said fugitive.

Unfortunately for Joe, the guy he is pursuing turns out to be his future self. Outsmarting someone who is more experienced (and knows what you are thinking) is not going to be easy. Thankfully, he has a clue as to where the older Joe may be headed. Inspired by the Terminator, old Joe realizes that child murder is a great way of resolving life’s problems. Seriously, give that a try next time a toddler starts kicking your seat on the bus. I guarantee that shooting them is more effective than moaning at their parents. Anyway… if Old Joe can kill the boy, who eventually grows up to become the boss who ordered his execution, history will be rewritten. Thus the stage is set. Young Joe heads to an isolated farm, where a single mother and her creepy kid reside. He’ll have to protect the family from his older self, whilst also evading the gangsters who are hot on his heels.

VERDICT

My rating for Looper is four stars. It’s a movie that I can highly recommend, providing that you are able to turn off your brain. In my case that wasn’t a problem, as I have already revealed that I enjoy dulling my mind with copious amounts of cocaine. Looper is a very entertaining movie, but it does have a fair number of plot holes. That’s to be expected, as it was written by the hack who butchered Star Wars. In defense of Rian Johnson, time travel stories do require a suspension of disbelief. They just don’t work otherwise, due to all the paradoxes. For a science fiction tale I was surprised by how contemporary the setting is. The year 2044 resembles modern times, aside from the existence of hover bikes. Some humans have also developed telekinesis by then, although the ability is only strong enough to levitate small coins.

Quibbles about some aspects of the story aside, Looper is an excellent movie. I didn’t spot a weak performance throughout the two hours it lasted. The supporting cast includes the likes of Emily Blunt and Jeff Daniels. Young Pierce Gagnon deserves a mention too, for being a rare example of a child actor that doesn’t suck. Joseph Gordon-Levitt and Bruce Willis did a good job of playing the two versions of Joe. I don’t think they look alike at all, but thanks to makeup and JGL mimicking Willis’ mannerisms, I was able to buy that they were the same person. Willis is often accused of phoning in performances, but that wasn’t noticeable in this film. He acquitted himself well enough during the brief scenes were his character suffered anguish. If you have a Netflix subscription, Looper is worth checking out. You would be loopy to miss it.

Review of Castlevania (Season Two)

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A year ago I signed up for a seven-day Netflix trial, in order to watch the Castlevania animated series. Fast forward to present day were the second season has just been released. Eager to check out the next installment of Trevor Belmont’s adventures, I went to the Netflix site with credit card in hand. Time to reactivate my account I thought. For some reason however Netflix informed me that there is no account on their database registered under my email address (even though by inbox contains receipts stating otherwise.) Long story short, instead of paying for a subscription I am now on a one month free trial. Looks like I get to watch some shows for nowt and then deactivate the service before they bill me.

OVERVIEW

The first season of Castlevania left most viewers wanting more, as it was only four episodes long. Netflix, emboldened by the success of series one, have thankfully doubled the episode count this time round. The series continues from where it left off. Vampire hunter Trevor Belmont has teamed up with Dracula son’s Alucard and a sorceresses named Sypha in order to prevent the bloodthirsty count from carrying out a genocide of the human race. I expected this season of Castlevania to be an action packed affair, were the heroic trio would journey to Dracula’s mobile fortress slaying any creatures that get in their way. The show subverted my expectations by instead dedicating its opener to the villains. In fact, writer Warren Ellis focuses so much attention on the antagonists that they end up getting more screen time than Trevor and chums.

Dracula’s army is led by various generals, including a viking named Godbrand who lives just to drink blood and to fornicate. He is easy to read, unlike the ambitious seductress Carmilla who is adept in the art of manipulation. Dracula’s minions are mostly made up of fellow vampires, but his ranks also contain two humans who are tasked with gathering the deceased and forging them into demonic soldiers. Just like in season one, Castlevania’s script takes the time to explore the motivations of these characters. No one is evil just for the sake of it. In the case of the aforementioned humans, they both turned their backs on the living due to tragic pasts. Isaac for example is a former slave who was abused by the clergy. Hector meanwhile was exiled and despised by his mother due to his necromancy research. Turns out that mommy doesn’t approve of kids that reanimate dead pets.

VERDICT

My rating for Castlevania (Season Two) is four stars. Netflix have once again proven that video games can be successfully adapted into other forms of entertainment. Fans of the console titles should however be made aware that the cartoon is slower paced than the Konami titles it is based off. Much of the series revolves around vampire politics, as Dracula’s lieutenants squabble over how best to enact their lord’s wishes. Meanwhile the heroes spend a good chunk of time at the library rather than kicking butt. I didn’t mind the dialogue heavy episodes, as the story is well written. Ellis knows how to keep things interesting via character development and by using the more duplicitous characters’ schemes to build up anticipation for the inevitable conflict that is to follow. When the action finally kicks off it is well worth the wait. Episode seven sees Belmont and co finally storm the castle. His battle with the vampire generals is excellent, as is the confrontation between Alucard and his father.

In terms of performances I think that most of the voice actors did an adequate job. My first impression of the bloke who played Godbrand wasn’t great. He grew on me though, as the series ticked along. Visually the show resembles a lower budget Vampire Hunter D: Bloodlust. The creature designs were generic and lacked detail. More impressive was the artwork depicting picturesque scenery, such as the shots of Dracula’s castle. On the animation front there were times when I felt a few extra frames here and there would have made things look better. I have no complaints however about the flashy episode seven showdown. Overall I was very pleased with how Castlevania panned out. Season two wraps up the story in a satisfactory manner and also lays down the groundwork for future tales. Whenever season three sees the light of day I will be sure to renew my Netflix subscription to watch it. In the meantime I have a few more weeks of free Netflix access to enjoy. Are there any other Netflix exclusives I should check out? Leave your suggestions in the comments section below.

Angels of Death Review

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A more organized blogger would have posted this Switch review a week ago and called it a Halloween special. I am however not known for planning out site content in advance. Opportunity missed! Instead of reviewing a horror game, on the 31st of October, I ended up writing about a horror-ible Fantastic Four movie instead. Angels of Death has a handicap, when it comes to instilling terror, as it was developed on RPG Maker. Scaring people is far easier with realistic graphics, rather than sixteen-bit pixels. With the right atmosphere it is still possible though, as Corpse Party has proven in the past. To be honest I am a coward at heart, so a horror game that is low on frights is fine with me. Heck, the only reason I braved this six-hour adventure was because some folks, who I follow, have praised the anime adaptation that recently aired.

OVERVIEW

Rachel Gardner is an emotionless thirteen-year old who has been sent to counselling after the death of her parents. When the game begins she awakens in a mysterious building with no knowledge of how she got there. Ray explores her surroundings and soon encounters a bandaged man who wields a scythe. Said mummy look-alike is a serial killer who answers to the name Zack Foster. He chases after Rachel, with the intentions of adding her to his murder tally. The pursuit doesn’t go as planned however. Rather than culminating in homicide, the pair’s meeting ends with them forming a temporary truce. With the aims of escaping the skyscraper that holds them prisoner, Rachel and Zack elect to team up. Can the partnership’s mix of brains and brawn overcome the dangers that await them? Probably. The game isn’t very hard.

Over the course of four episodes Rachel and Zack descend down the edifice. Each floor is littered with traps and is guarded by bloodthirsty lunatics. Despite being coded in a role-playing-game engine, Angels of Death features no turn based combat. Players cannot fight off their assailants and must instead flee from attackers. Getting caught will result in an instant game over, which can be frustrating. Thankfully the game auto saves whenever Rachel is in immediate peril. No significant progress is therefore lost should the heroine perish. Bypassing traps on the other hand requires some basic puzzle solving. Like adventure games of yore, the brainteasers involve using an item in the right location. The inventory Rachel carries is never large so sussing out what object needs to be picked is usually pretty obvious.

VERDICT

My rating for Angels of Death is three stars. The game doesn’t make a good first impression. I was underwhelmed by the rough looking artwork and the early gameplay. Episode one started with me dying multiple times, during a sequence were you are given seconds to evade a fast moving enemy. I suck when put under pressure and fare even worse when a game hasn’t explained that it’s possible to dash by pressing B. Thankfully things improved after that. As the story progressed I got more invested in the game. I dug the colourful cast of characters that Rachel meets and the mystery, of the building she’s trapped in, piqued my interest. Binding it all together is her relationship with Zack. Prior to buying the game who would have known that I would end up shipping a thirteen-year old girl with a guy who slices up people with bladed weapons?

Those seeking horror may leave Angels of Death feeling a tad disappointed. It lacks the creepiness of Corpse Party and is devoid of jump scares. Players, like myself, who appreciate dark humour should however enjoy their time with the game. The cartoon visuals and silly dialogue counterbalance the plot’s more disturbing moments. Episode four’s reveal, in particular, is not for the faint of heart. Speaking of dialogue, keep an “eye” out for a character named Danny should you decide to purchase the game. I challenge anyone to take a sip of their favourite alcoholic beverage whenever he utters the word “peepers.” I guarantee you won’t reach the end credits before your liver gives out. Maybe I’ll give said drinking game a “shot” whenever I get round to watching the anime.

Review of Fantastic Four (2015)

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The Fantastic Four have been anything but fantastic, when it comes to live action movies. Out of the three films distributed by 20th Century Fox the feature released in 2015 is arguably the weakest. That’s a surprise, given that the movie was directed by Josh Trank, who has previously worked on Chronicle (one of the few found footage films that I have managed to enjoy.) Perhaps studio interference is to blame for the debacle, as Trank’s vision for the project was a sci-fi body horror story. Fox were initially onboard with the idea, eager to distance themselves from past FF films, which have been heavy on camp. Midway through filming however they got cold feet and demanded that changes be made. After seeing light-hearted Marvel dominate the more serious DC, I can only speculate that they changed their mind on the script’s dark tone.

OVERVIEW

Reed Richards is a young genius who, with the aid of pal Ben Grimm, has managed to design an interdimensional teleporter. During his school’s science fair he reveals a prototype constructed out of materials salvaged from the scrapyard Ben’s family owns. At the event he showcases how the device can send toy models to an unexplored alien land. Reed’s teachers dismiss the invention, as a cheap magic trick. Dr Franklin Storm, who is in attendance, however recognises Richard’s talent. He immediately recruits the teen and has him put to work at the world renowned Baxter Institute. Storm hopes that with greater resources Reed will be able to construct a larger machine, capable of sending humans to the aforementioned extraterrestrial planet. Like the Ninja Turtles character Baxter Stockman, the Baxter Institute soon learns that travelling to another dimension carries risks.

Assisting Reed in his scientific venture are Franklin’s son Johnny and his adoptive daughter Sue. I have to stress that blonde haired Sue is adopted because, unlike his comic book counterpart, this version of Johnny is black. Although his race has changed, this iteration of Johnny remains a hot-head (rather ironic given that he later acquires flame based powers). He is portrayed as a capable engineer who has no respect for authority. Rather than build advanced tech he prefers to assemble cars, for the purposes of street racing. Supervising the group is fellow intellectual Victor Von Doom. With a name like that it should come as no surprise that Victor is the movie’s antagonist. Some people are just fated to become their surnames. Did you know that my country’s former minister for tourism is called Joe Holliday?

VERDICT

My rating for Fantastic Four is a two out of five. I imagine many viewers despised the movie because they have been conditioned to expect non stop action and humour from superhero films. Fantastic Four on the other hand is slow paced and sterile. I didn’t actually mind the more realistic approach taken in retelling the Fantastic Four’s origins. The movie starts well enough and did some interesting things later on, when the above mentioned characters are mutated during their maiden voyage across dimensions. Rather than willingly become warriors of justice they are strong armed into serving the military. Unlike other superheroes, who consider their newly acquired superhuman abilities to be a boon, the titular four are traumatized by the changes their bodies undergo. Their distressed reactions mirror the time I realized that my scalp is beginning to bald.

Sadly any nuggets of creativity that Fantastic Four tries to inject into the superhero genre cannot overcome a weak script. The dialogue is so stale that it robs the characters of any personalty and makes a cast of otherwise accomplished actors look very ordinary. What really brought the thing down, in my eyes, was the final act. The studio interference, which amounted to reshoots filmed without the director’s approval, is there for all to see. In the blink of an eye we witness a sombre science fiction tale morph into a below par superhero flick. The closing scene makes a half hearted attempt to introduce humour via a cheesy skit revolving around the team’s name. Preceding that is a showdown with Doom that is marred by awful CGI and uninspired fight choreography. The end result is a box office flop, which played a factor in Trank losing the opportunity to direct Star Wars. Fair enough, although I doubt he would have done a worse job than Rian Johnson.

Review of Venom

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It’s weird seeing a Venom origin story that does not feature Spider-Man. Readers of the Marvel comic books will be aware that Venom started life as Peter Parker’s black organic suit. The couple eventually broke up, as Venom became too clingy. Spidey doesn’t appear at all in this two-hour live action flick. The reason? Sony has currently loaned him out to Marvel Studios. That’s disappointing, but on the plus side the film can boast having the very talented Tom Hardy in the lead role. Ruben Fleischer is the movie’s director. His past work includes Zombieland, a cartoon about undead pop idol singers.

OVERVIEW

Eddie Brock is an award-winning investigative reporter. No idea how he won a prize for journalism, given that the movie presents him as a buffoon. In the opening act, Eddie has the gall to accuse entrepreneur Carlton Drake of running a company that conducts inhumane experiments. Eddie’s claims are not backed by a shred of evidence, so it’s no surprise when he is subsequently fired by the news station he works for. Only when he is in the unemployment line does Eddie decide to search for proof. Under the cover of dusk, he infiltrates a research lab affiliated with Drake’s Life Foundation.

There he finds a trio of alien parasites that the group seized from a wandering comet. One of the creatures ends up bonding with Eddie, transforming him into the titular anti-hero. Venom possesses the looks of Spawn and the tongue of Gene Simmons. For the remainder of the film Eddie battles against mercenaries, who have been hired by Drake to retrieve the specimen he unwittingly stole. A second foe appears late on in the movie. Said antagonist is a fellow Symbiote named Riot, who landed on Earth a few months prior, and has since been murdering anyone who gets in his way.

VERDICT

My rating for Venom is a three out of five. In my opinion, the movie doesn’t deserve all the hate that most professional critics have heaped upon it. That said, Venom is merely entertaining. It’s not on the level of what Marvel Studios usually puts out. Even when compared to other third-party superhero releases, it is a grade below Deadpool, Logan and the first two Raimi directed Spider-Man films. Audiences may be caught off guard by the script’s tone. Venom’s creepy design and appetite for human heads seems perfect for an R-Rated horror. What we get however is a standard PG-13 superhero tale that is heavy on slapstick.

For some, that will be a missed opportunity and potential deal breaker. I personally didn’t mind the more light-hearted direction taken by the creators. The best scenes were not the moments of violence, but rather the times when Venom and his human host engaged in humorous banter. On the visual side of things, it’s good to see a bulky Venom onscreen. The character design is more faithful to the source material than Venom’s appearance in Spider-Man 3. I found the quality of the CG effects to be a mixed bag. At times it looked cool. The final battle was a bit of a mess though. Akin to a Transformers fight, it’s hard to follow as it features two similar looking characters tangling with each other.

Venom isn’t perfect, but I enjoyed it. The credits tease a potential sequel that I would be up for watching. Sony could have a hit on their hands, if the follow-up manages to inject a bit more action to the mix and beefs up the writing in terms of characterisation. Hardy’s performance carries the movie, as no one else stood out. Riz Ahmed and Michelle Williams play the villain and love interest respectively. Both are decent actors but struggled to make an impression due to the lack of material they had to work with. Don’t expect either of them to get Venom-inated for an Oscar.

 

 

Review of Valkyria Chronicles 4

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It’s been ages since the west was able to enjoy a proper Valkyria Chronicles game. The third instalment was never localized and the recently released Valkyria Revolution was an unpopular spin-off, which abandoned the franchise’s trademark tactical elements. Valkyria Chronicles 4 thankfully returns to its roots. Both the combat system and setting are identical to the first game. For those unacquainted with the series, Valkyria Chronicles takes place on a continent that suspiciously resembles World War II Europe. Players lead a squad of Federation soldiers who are battling against Empire invaders. The Empire started the conflict to secure stockpiles of Ragnite – a magical mineral that can power machinery, heal the sick and turn well-endowed babes into super humans.

CHARCTERS

Valkyria Chronicles 4 recounts the adventures of Squad E, throughout a 35-hour campaign that sees the battalion venture deep into Empire territory. The plot is both straightforward and well written. Players experience first hand the brutal tragedies of war. Balancing out the drama are moments of romance and comedy that wouldn’t look out of place in an anime. There’s even a hot springs episode and DLC that takes place at the beach. Claude Wallace is the game’s protagonist. He begins the story with a reputation of being a coward, but as events unfold he develops into a courageous commander. His subordinates include childhood sweetheart Riley, a reckless trooper named Raz and Deadeye Kai. The latter is a sniper who possesses an irresistible heinie. Did you know that German soldiers, who the Empire’s conscripts are modelled after, were once nicknamed heinie? Perhaps Kai’s ass is a reference to that. Nah, it’s just eye candy.

Apart from the main cast there are over fifty unique characters to command. Picking whom to take on a mission is akin to assembling an army in Fire Emblem. There’s even a private named Odin who acts like his Fire Emblem namesake! When selecting a team I suspect most players will choose soldiers based on looks/personalities they find appealing. The supporting cast don’t play a major part in story cut scenes, but they do at least feature in optional chapters that flesh out their origins

COMBAT

Gameplay wise Valkyria Chronicles is a hybrid of strategy and action. Each level has an objective to complete. The missions range from capturing a base, to defeating all the enemies or protecting a zone for a specified number of rounds. Levels are laid out on a map, where players spend command points to issue orders and move their troops. If this was a fantasy game orders would be magic. By issuing an order it’s possible to heal allies, apply buffs and replenish ammo. Hey rookie I command you to stop being poisoned and um… cease being dead. What distinguishes Valkyria Chronicles from other strategy games is that when repositioning a soldier the action switches to a third person view. From this vantage point players assume direct control of the soldier in real time. To keep things tactical, characters can only attack once during their movement phase.

A character’s stamina limits how much terrain they can cover during a turn. Different classes have varying amounts of stamina. A nimble scout can therefore take more steps than a heavily armoured Lancer. I love Valkyria Chronicles’ battles, as they are more interactive than simply moving pieces on a chessboard. Possessing a soldier means you have to dodge bullets yourself and watch where they go, due to the ever-present danger of landmines. Mercifully, the enemies will seize fire whenever you line up a shot. Great news for me, as I have terrible aim when under pressure. Maybe instead of the Federation I should be fighting for the Empire. I do after all hit targets less often than a Storm Trooper.

CONCLUSION

My rating for Valkyria Chronicles 4 is five stars. Easily one of the best games I have played in 2018. Valkyria Chronicles 4 might be too similar to the original, for some folks, but I personally didn’t mind. It’s been almost a decade since the west got a mainline VC title, so the combat system still feels fresh to me. One new addition to Valkyria Chronicles 4 is the introduction of grenadiers. These soldiers can blast foes from afar with a mortar. I thought the grenadiers were overpowered during the early missions, but used them less in the later chapters. Sega might have added the class to benefit the enemy AI forces, more than the player. Their inclusion, on certain maps, does somewhat discourage players from making a beeline for the objective. You have to plan out movements or else Squad E will get an unwelcome explosive surprise when navigating choke points. Stop pelting me with grenades – that’s “bang” out of order.

I highly recommend Valkyria Chronicles 4. The game is fun and very pretty to look at. I like how the cell shaded graphics have a watercolour tinge to them. Anyone who was frustrated by the original’s difficulty spikes will be pleased to learn that Valkyria Chronicles 4 is much less challenging. The only level that took me a while to clear was the final showdown. It wasn’t hard per say, but a bit ponderous due to the amount of damage the last boss could soak up. Then again that was due to my bad planning rather than poor level design. After besting Valkyria Chronicles 4 I looked online and found clips of people beating that mission quickly, via the creative use of orders. Man, I really suck at making orders. Perhaps that is why it takes me so long to pick a main course.